Event, Being & Becoming

Deleuze’s Encounter With Whitehead

By Steven Shaviro

In a short chapter of The Fold (1993) that constitutes his only extended discussion of Alfred North Whitehead, Gilles Deleuze praises Whitehead for asking the question, “What Is an Event?” (76). Whitehead’s Process and Reality (1929/1978) marks only the third time – after the Stoics and Leibniz – that events move to the center of philosophical thought. Deleuze wrote less about Whitehead than he did about the other figures in his philosophical counter-canon: Lucretius, the Stoics, Spinoza, Leibniz, Hume, Nietzsche, Bergson, and Foucault.

But Whitehead is arguably as important to Deleuze as any of these other thinkers. It is only today, in the wake of Isabelle Stengers’ great book Penser avec Whitehead (2002), that it has become possible, for the first time, to measure the full extent of Deleuze’s encounter with Whitehead. My work here is deeply indebted to Stengers, as well as to James Williams (2005) and to Keith Robinson (2006), both of whom have written illuminatingly about Whitehead and Deleuze.

“What is an event?” is, of course, a quintessentially Deleuzian question. And Whitehead marks an important turning-point in the history of philosophy because he affirms that, in fact, everything is an event. The world, he says, is made of events, and nothing but events: happenings rather than things, verbs rather than nouns, processes rather than substances. Becoming is the deepest dimension of Being.

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Simulacra and the Real in Deleuze and Guattari

Realer Than Real: The Simulacrum According to Deleuze and Guattari

By Brian Massumi

There is a seductive image of contemporary culture circulating today. Our world, Jean Baudrillard tells us, has been launched into hyperspace in a kind of postmodern apocalypse. The airless atmosphere has asphyxiated the referent, leaving us satellites in aimless orbit around an empty center. We breathe an ether of floating images that no longer bear a relation to any reality whatsoever. That, according to Baudrillard, is simulation: the substitution of signs of the real for the real. In hyperreality, signs no longer represent or refer to an external model. They stand for nothing but themselves, and refer only to other signs. They are to some extent distinguishable, in the way the phonemes of language are, by a combinatory of minute binary distinctions. But postmodernism stutters.

In the absence of any gravitational pull to ground them, images accelerate and tend to run together. They become interchangeable. Any term can be substituted for any other: utter indetermination. Faced with this homogeneous surface of syntagmatic slippage, we are left speechless. We can only gape in fascination. For the secret of the process is beyond our grasp. Meaning has imploded. There is no longer any external model, but there is an immanent one.

To the syntagmatic surface of slippage there corresponds an invisible paradigmatic dimension that creates those minimally differentiated signs only in order for them to blur together in a pleasureless orgy of exchange and circulation. Hidden in the images is a kind of genetic code responsible for their generation. Meaning is out of reach and out of sight, but not be cause it has receded into the distance. It is because the code has been miniaturized. Objects are images, images are signs, signs are information, and information fits on a chip. Everything reduces to a molecular binarism. The generalized digitality of the computerized society.

And so we gape. We cannot be said to be passive exactly, because all polarity, including the active/passive dichotomy, has disappeared. We have no earth to center us, but we ourselves function as a ground--in the electrical sense.8 We do not act, but neither do we merely receive. We absorb through our open eyes and mouths. We neutralize the play of energized images in the mass entropy of the silent majority.

It makes for a fun read. But do we really have no other choice than being a naive realist or being a sponge?

Deleuze and Guattari open a third way. Although it is never developed at length in any one place, a theory of simulation can be extracted from their work that can give us a start in analyzing our cultural condition under late capitalism without landing us back with the dinosaurs or launching us into hypercynicism.

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